Lyon and healy harp 1930
- #Lyon and healy harp 1930 full
- #Lyon and healy harp 1930 registration
- #Lyon and healy harp 1930 professional
#Lyon and healy harp 1930 professional
The Harptacular events I attended included a performance by four professional Oregon-based pedal harpists, a workshop about making a living as a harpist, and an exhibition of harps.
#Lyon and healy harp 1930 registration
At the registration table, no one demands to see my credentials. My sense of imposture diminishes slightly. To my delight, he recognizes the maker’s name. He drops one of the dreaded questions: do you have a harp? Why yes, I say. Nearing a stairwell, I merge lanes with a gentleman who also appears to be in search of a registration table. It’s nearly 7PM, and I’m wandering the halls of the Lincoln building trying to look like I know where I’m going.
#Lyon and healy harp 1930 full
My harp teacher had been urging me to connect with other harp students for months, but for a dyed-in-the-wool introvert with a full time office job whose harp practice was an excuse to take a break from people, connecting through music was an overwhelming prospect. Surrounded by pedal harpists (would a lever harp student fit in?). A harp event coming to Portland? Yes, please! I went online and registered with mild trepidation about being The golden ticket (read: flyer) to Harptacular 2018! As luck would have it, I received a flyer from Lyon & Healy in the mail. A lack of defined goals, a disorganized approach to practice, and isolation were the culprits, but I wouldn’t have been able to identify them as the problem if you had asked me. Although my enthusiasm had carried me through nearly two years of weekly lessons, around the two-year mark I began experiencing frequent bouts of frustration and the sense that I was spinning my wheels without making progress. I began taking harp lessons about two and a half years ago with the vague goal of learning to play, but the motivational power of that goal was rapidly losing steam. In September I had the exhilarating opportunity to attend the Lyon & Healy Harptacular event in Portland, and it couldn’t have come at a more perfect time. Lyon & Healy originally posted this photo on Facebook and I am sharing it here with their permission. They cost anywhere from $3,000-$180,000.ĭo you know of a company ABC7 Eyewitness News should visit that makes things right here in Chicagoland? Make a suggestion on ABC7 Chicago's Facebook page.Sasha Boldachev performs at the Lyon & Healy Harptacular event in Portland, OR in September 2018. Lyon and Healy harps are truly magnificent instruments. Then comes rigorous testing to ensure the sound will be flawless. It takes two to three months before a harp is complete. Real 23 karat gold is meticulously applied. A column for one harp wouldn't be interchangeable with another," Fritzmann said.Įvery design is hand-carved. From the wood, to the body, to the mechanism which will eventually connect to the strings and pedals, it's a combination of tradition and innovation. Today, all of the nearly 2,000 pieces that comprise a single harp are still handcrafted. George Lyon and Patrick Healy founded the company in 1864. That's where we feel Lyon and Healy has its mark," Fritzmann said. "For any instrument, any musical player, it comes down to the feel and the tone. Steve Fritzmann has been with the company for 36 years and was once a master harp maker himself. "Lyon and Healy was really the mecca of the harp world through the 20th century," said Steve Fritzmann, Lyon and Healy National Sales Manager. Today, the harp most recognized around the world is made right here in Chicago's West Loop, at Lyon and Healy. The harp is known as one of the world's oldest instruments. Not only did they start the company, but they ended up designing and crafting a beautiful instrument that continues to be coveted by musicians around the world. CHICAGO (WLS) - Two young men from Boston were dispatched by a music publisher to expand business in Chicago about 150 years ago.